Lisa Ullén lives in Stockholm, but grew up in the northern part of Sweden. She is a graduate of Stockholm’s Royal College of Music where she studied classical piano in the late 1980s and early 1990s.

A versatile player with a singular musical vision, Ullén has repeatedly proven her ability to imprint her absolute sense for tonal texture on whatever musical context she appears in from duos and small group collaborations with Nina de Heney and Okkyung Lee to larger ensemble situations such as Anna Högberg Attack!, Vilhelm Bromander Initiative and her own Motståndsorkestern (Resistance Orchestra).

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John Chantler is a musician and organiser living in Stockholm, Sweden working with synthesis and exploring the aesthetic implications of different infrastructure for electronic music performance.

Originally from Australia he spent a decade in London before moving to Sweden in 2014 where he has directed an annual festival for ‘other music’ in Stockholm called Edition and runs Fönstret — releasing music by local artists and surfacing material from the festival’s archives.

His solo recording Tomorrow is too late (October 2019, ROOM40) was originally commissioned by INA GRM for the 2018 Présences Électronique festival in Paris. His most recent release Hell or High Water (2023) is a collaboration with Daniel M Karlsson for computer controlled analog synthesis.