Tag Archives: john chantler

Wednesday 9 May 2012 @ Cafe OTO

I’ll be playing this Wednesday – 9th May 2012 – at Cafe OTO in London ahead of sets from Petrels and Geoff Mullen who is over from the USA.

Geoff Mullen + Petrels + John Chantler
WED 9 MAY ’12 • 8PM • £7 advance / £8 on the door
Advance tickets/more information

I’ll be playing modular synth and amplified reed organ in a much less subtle revision of my set in Cambridge last weekend.  The recording of that will be available soon.

Photo by Norman Ipsmael

‘Automatic Music’ LP (SOLD OUT)

This LP collects two different pieces recorded in December 2010 and sometime in 2009 – both offering different fields of surface stasis/hidden activity…

The first, ‘Automatic Music for Erik Griswold’ was recorded in Bundaberg, Australia using a ‘Eurorack’ modular synthesiser plugged into a borrowed guitar amplifier. It was made in preparation for a concert in Osaka in January 2011 organised by Tetsuya Umeda and was an experiment in using the synthesiser without any external controller (I’d just been touring with Tujiko Noriko and Lawrence English and had grown accustomed to playing the synth with a Roland SH101 as keyboard/sequencer). It is named for Erik Griswold, a pianist living in Brisbane, Australia, whose exceptional ‘Wallpaper Music’ recording was part inspiration for this work.

The second side is the older piece. Recorded at home in London, UK using two reed organs (one Hohner, one Busilaccio) and recorded to an Akai GX4000D 1/4? reel-to-reel. This is my homage to the lineage of pieces focussed on frequency beating cycles that most actively crossed my radar with Jim O’Rourke’s ‘Two Organs’. Jokingly a ‘cover’ of said piece, the working title for the recording was ‘Biting The O’Rourke That Feeds’ before I later settled on nicking the title of a rather lovely upbeat Tenniscoats song as a sly nod to the seasonly themed (and vastly superior) records of my good friend and ongoing inspiration Lawrence English who mastered the record and to whom I owe many ongoing thanks…

Pressed in an edition of 110 LPs with a two colour screenprint sleeve made from archival grade photokraft paper using a drawing by Marcus Cope.

SOLD OUT!!!

Still available:

‘The Luminous Ground’ LP
£11 + pp (UK – £2.50 / EU £3.50 / ROW £7)

‘The Luminous Ground’ LP + For Barry Ray ‘New Days’ LP
£20 + pp (UK – £3.00 / EU £4.00 / ROW £7.50)

Alternatively, any of the above LPs can be collected in person for £10 each (cash) from Cafe OTO, London by prior arrangement.

 

Two LPs coming soon

First up will be ‘The Luminous Ground’ – 6 new (finished Oct ’10) modular synth jams. Ltd edition of 300(ish) LPs released by the ROOM40 label of Brisbane, Australia.  Mastered by LUPO at D&M and pressed in Deutschland at Optimal. More info and sound samples coming soon.

The-Luminous-Ground-Cover

This will be followed by a private edition of 100 LPs. Two pieces: ‘Automatic Music for Erik Griswold’ and ‘Unknown Season’ – The first a slice of ‘automatic music’ from a self-playing synth patch recorded whilst in Australia in December 2010 and the second a hefty slab of twin organ stasis recorded to tape a few years ago.  Mastered by Lawrence English. DMM pressing.  Covers will be a two colour screenprint of an ink drawing by Marcus Cope. Picture is of a test print…

automatic-music-cover